A film called The Quiet Ones that starts with a young patient being kept awake by blasting Slade’s ‘70s anthem ‘Cum On Feel The Noize’ into her room? It’s a welcome shot of black humour – and glam rock – suggesting Hammer Films’ new entry in its resurrected horror slate might buzz with a little more wit and originality than your average scary movie.
Unfortunately that feeling lasts little longer than a Slade single and all too quickly we’re back in a depressingly familiar groove. If Hammer’s previous spectral story, The Woman in Black, was a worldwide chart-topper, this lackluster follow-up is unlikely to bother the box-office hit parade. Read more